Dao Tien Dat / Vietnam
Biography
DAO TIEN DAT
EVAPA/G, EFIAP/d3, MPSA, GMAPS-VIETNAM
Dao Tien Dat is a Vietnamese photographic artist with nearly 30 years of experience in artistic photography.
He has received more than 2,100 awards in domestic and international photography competitions across 81 countries and territories on five continents, including 383 Gold Medals.
His major achievements include:
* Holder of 54 photographic distinctions and honorary titles by VAPA, FIAP, PSA, APU, APS, GNG and other international photographic organizations, including EVAPA/G, EFIAP/d3, MPSA, GMAPS, MEAPU/s, MGNG.
* Golden Cup Photographer of the Year 2005 (Italy)
* Gold Medal Best of Asia 2006 (Italy)
* World No. 2 (EID Category, 2010) and ranked No.1 three times as Top Overseas Exhibitors (SCP & SMP Category, 2010; SCP Category, 2013) in PSA Who’s Who in Photography of Photographic Society of America
* PSA Pictorial Print of the Year (SCP &SMP)-First,Second and Third Places (2011- 2012)
* Golden Dragon Photo Awards 2022 (Gold of the Gold Standard) of APU.
* Three Cups of Excellence (Hong Kong 2006 & 2013; Sweden 2009).
Jury Experience
He has served as a jury member in over 220 photography competitions, including 126 international salons and circuits, and has been appointed Jury Chair or President of the Jury for numerous international competitions in Croatia, Guatemala and Vietnam.
Professional Activities
Besides photographic creation and judging, he also shares his expertise in photo evaluation, artistic photography and digital post-processing through photography workshops and training camps.
Contact
DAO TIEN DAT
Address: 157 Phan Boi Chau Street, Quy Nhon Ward, Gia Lai Province, Vietnam
Email: daotiendat.art@gmail.com ; daotiendat@yahoo.com
P/S: VAPA- Vietnam Association of Photographic Artists
FIAP- Federation Internationale De L’Art Photographique
PSA- Photographic Society of America
APU- Asia Photographres Union
APS- Agile Photographic Society, Bangladesh
GNG- GNG CLUB, India.
Photo Story
GIA LAI – THE ECHO OF GONGS AMID THE GREAT FORESTS
In the majestic vast forests of the Central Highlands, Gia Lai stands out as a special space of gong culture. The deep, resonant sounds ringing through the mountains, forests, and villages not only create a distinctive musical character, but also serve as the call of the community, of memory, and of a culture passed down through generations.
In Gia Lai, gongs do not rest quietly in museums. They live vividly under the roofs of communal longhouses, in traditional festivals, in rituals, and in everyday community life. The sound of the gongs connects people to one another, links earlier generations with those that follow, and at the same time sends into the vast forest spaces stories of people, nature, and the spiritual world.
Each strike of the gong carries its own tone; each rhythm conveys a sacred message. The elders pass on to the young not only performance techniques, but also the way of feeling the community’s rhythm together with the cultural values hidden deep within every sound. Therefore, preserving the sound of the gongs is also preserving the memory of a people and safeguarding the cultural “fingerprint” of a land.
Gia Lai becomes even more special in possessing an immense heritage “asset” of 4,576 sets of gongs and 117 individual gongs, mainly held within the Bahnar and Jrai communities. This impressive figure not only demonstrates the scale but also affirms the enduring, vigorous vitality of the heritage on this land.
In 2005, the Cultural Space of the Gong in the Central Highlands was recognized by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity; and in 2008 it was inscribed on the Representative List of the Intangible Cultural Heritage of Humanity. Within that broad cultural whole, Gia Lai holds an important position thanks to the diversity of its resident communities and the richness of its folk performance forms.
Faced with the changes of modern life, the preservation of Central Highlands gongs in general, and those of Gia Lai in particular, cannot stop at merely storing ancient gong sets or staging a few theatricalized festivals. The core of conservation work is to protect the “cultural space” — the ecological environment of the village, the water source, and the communal way of life — the place that has generated, nurtured, and transmitted the sound of the gongs through the centuries.
Gia Lai – where the great forests give voice to the gongs. There, the sound of the gongs does not only echo through the mountains and forests, but also resonates in the memory of the community, in the rhythm of life today, and in the continuity of generations to come. As long as the gongs still ring, the culture of the Central Highlands continues to beat with a living, proud pulse amid the vast forests.